|
Radka Denemarková: Stunden aus Blei |
|
Lecture |
Ludger HagedornRadka Denemarková |
Zur Anmeldung |
Series: Lecture
|
Series: Lecture
|
|
Slavic Bazaar: Performances and Instrumentalizations of the Slavic discourse 1791 - 2017 |
|
Seminars and Colloquia |
Katherine YoungerLudger HagedornTomáš Glanc |
|
Series: Seminars and Colloquia
The ideology of Slavic unity and reciprocity has been a crucial pattern of European thought and culture since the beginning of the 19th century, and it is still relevant today.
In his presentation, Tomáš Glanc will discuss the development, the teleology, and the typologies of this heterogeneous discourse. The talk will outline performative practices of “Slaventum” rich in contradictions, geopolitical phantasms and geopoetic fictions. Glanc will use examples from different disciplines such as literature, art, linguistics, but also referring to political essays, institutional history, and the history of gymnastics.
Read more
|
Series: Seminars and Colloquia
The ideology of Slavic unity and reciprocity has been a crucial pattern of European thought and culture since the beginning of the 19th century, and it is still relevant today.
In his presentation, Tomáš Glanc will discuss the development, the teleology, and the typologies of this heterogeneous discourse. The talk will outline performative practices of “Slaventum” rich in contradictions, geopolitical phantasms and geopoetic fictions. Glanc will use examples from different disciplines such as literature, art, linguistics, but also referring to political essays, institutional history, and the history of gymnastics.
Read more
|
|
Limits and Divisions of Human Histories |
|
Lecture |
Andrzej NowakKatherine YoungerLudger Hagedorn |
|
Series: Lecture
The theory of history, as presented by Reinhart Koselleck (1923-2006), offers an intellectually tempting structure of three anthropological distinctions that prescribe figures of all possible histories (individual and collective): sooner or later, inside and outside, above and below. The first one signifies the span between being born and having to die, which makes every life unique and at the same time part of a particular generational experience. It could also be rendered as “old” and “new”. Uses of the second pair might be analysed as a contrast between public and private, or as a contemporary fear stemming from the contrast between “home” and “intruders”. The third pair Andrzej Nowak will try to “translate” not just in “master” and “slave” categories, but rather as “pupil” and “teacher”, or even “therapist” and “patient”. Nowak will try to read Koselleck’s structure in a perspective offered by spatial/temporal concepts of contemporary “Europe in progress” (or “Europe in crisis”), as well as in another, non-political perspective of esthetic renditions of the three above mentioned Koselleck’s abstract pairs ¬ in Andrzej Wajda’s “Birchwood” movie, the last scene of Richard Strauss’s “Rosenkavalier”, and in Philip Larkin’s poem: “An Arundel Tomb”. The question is whether love can be included into these conflicting pairs as a possible factor transcending their structures?
Read more
|
Series: Lecture
The theory of history, as presented by Reinhart Koselleck (1923-2006), offers an intellectually tempting structure of three anthropological distinctions that prescribe figures of all possible histories (individual and collective): sooner or later, inside and outside, above and below. The first one signifies the span between being born and having to die, which makes every life unique and at the same time part of a particular generational experience. It could also be rendered as “old” and “new”. Uses of the second pair might be analysed as a contrast between public and private, or as a contemporary fear stemming from the contrast between “home” and “intruders”. The third pair Andrzej Nowak will try to “translate” not just in “master” and “slave” categories, but rather as “pupil” and “teacher”, or even “therapist” and “patient”. Nowak will try to read Koselleck’s structure in a perspective offered by spatial/temporal concepts of contemporary “Europe in progress” (or “Europe in crisis”), as well as in another, non-political perspective of esthetic renditions of the three above mentioned Koselleck’s abstract pairs ¬ in Andrzej Wajda’s “Birchwood” movie, the last scene of Richard Strauss’s “Rosenkavalier”, and in Philip Larkin’s poem: “An Arundel Tomb”. The question is whether love can be included into these conflicting pairs as a possible factor transcending their structures?
Read more
|
|
The One That Got Away / Everyday Life During Armed Conflicts |
|
Seminars and Colloquia |
Dimiter KenarovKeith KrauseLudger HagedornPaweł PieniążekSoli Özel |
|
Series: Seminars and Colloquia
|
Series: Seminars and Colloquia
|
|
The “Sunny” Side Of The Holocaust. Dr. Endre Szántó’s Photo Album From His Forced Labour Service, 1940 |
|
Seminars and Colloquia |
András LénártLudger HagedornIngo Zechner |
|
Series: Seminars and Colloquia
|
Series: Seminars and Colloquia
|
|
The Death and Rebirth of Democratic Internationalism: Controversies and Possibilities |
|
Lecture |
Claus OffeLudger HagedornMicheline Ishay |
|
Series: Lecture
|
Series: Lecture
|
|
Identität, Diversität, Postkolonialismus: Neue Herausforderungen für das Übersetzen von Literatur |
|
Lecture |
Ludger HagedornLutz KlicheMichael KeglerSusann Urban |
|
Series: Lecture
|
Series: Lecture
|
|
Ukraine and the Borders of Europe |
|
Seminars and Colloquia |
Katherine YoungerLudger HagedornVolodymyr Yermolenko |
|
Series: Seminars and Colloquia
|
Series: Seminars and Colloquia
|
|
The Impossibility of Politics: Brecht, Manto and Two Itinerant Situations |
|
Lecture |
Ludger HagedornRanabir Samaddar |
|
Series: Lecture
|
Series: Lecture
|
|
Legacies of Silenced Atrocities: Lessons from Holodomor |
|
Seminars and Colloquia |
Karolina KoziuraKatherine YoungerLudger Hagedorn |
|
Series: Seminars and Colloquia
|
Series: Seminars and Colloquia
|