Vladimir Arsenijević

Njegoševa street, a central and also very lively artery of the whole neighborhood in Belgrade, scattered with cafes, shops and public buildings, has been saturated with various graffiti, stencils and wall paintings. All of them clearly belong to the same branch of right-wing, nationalistic, militaristic and warmongering paraphernalia. By analyzing all the writings on the wall spanning the length of Njegoševa street, Vladimir Arsenijević will attempt to prove that, disregarding the subjective question of whose hand holds the spray can, it is the Serbian State which is the main objective violator – and Serbian society the sole victim – of this long-drawn-out criminal activity that ever since the end of the last wars of the 1990s has been holding the whole population in its vice-like grip.