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Radka Denemarková: Stunden aus Blei |
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Lecture |
Ludger HagedornRadka Denemarková |
Präsentation der deutschsprachigen Ausgabe des Romans
Series: Lecture
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Präsentation der deutschsprachigen Ausgabe des Romans
Series: Lecture
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Everybody is so much now for democracy… |
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Exhibition |
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IWM’s landmark 1990 conference "Central Europe on its Way to Democracy"
Speakers:
Series: Exhibition
In 1990, IWM organized the landmark conference Central Europe on the Way to Democracy, bringing together leading intellectuals and politicians from across Europe, North America and the Soviet Union to discuss Europe’s future prospects at a time of dramatic change. It was a remarkable event that drew great media attention and international visibility, organized in the premises of Vienna’s Palais Schwarzenberg. And it was a milestone in the history of IWM, crystallizing its mission of offering a space for discussions that transcend “any ideology, church, bureaucracy, or political party,” as founding rector Krzysztof Michalski put it in one of his interventions at the conference.
As the first of several activities planned for the 40th anniversary of IWM in 2022, the Institute will feature an in-house exhibition on the many faces and facets of this conference. Throughout the three day-event in June and July 1990, Viennese photographer Renate Apostel took black-and-white photos of its prominent guests, capturing panel discussions as well as informal conversations. Some of her most remarkable portraits and atmospheric photographic observations will be on display along the staircases throughout the IWM building. All photos are handmade prints on baryte paper, developed from the original negatives by Viennese photo artist Andrej Kasik.
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IWM’s landmark 1990 conference "Central Europe on its Way to Democracy"
Speakers:
Series: Exhibition
In 1990, IWM organized the landmark conference Central Europe on the Way to Democracy, bringing together leading intellectuals and politicians from across Europe, North America and the Soviet Union to discuss Europe’s future prospects at a time of dramatic change. It was a remarkable event that drew great media attention and international visibility, organized in the premises of Vienna’s Palais Schwarzenberg. And it was a milestone in the history of IWM, crystallizing its mission of offering a space for discussions that transcend “any ideology, church, bureaucracy, or political party,” as founding rector Krzysztof Michalski put it in one of his interventions at the conference.
As the first of several activities planned for the 40th anniversary of IWM in 2022, the Institute will feature an in-house exhibition on the many faces and facets of this conference. Throughout the three day-event in June and July 1990, Viennese photographer Renate Apostel took black-and-white photos of its prominent guests, capturing panel discussions as well as informal conversations. Some of her most remarkable portraits and atmospheric photographic observations will be on display along the staircases throughout the IWM building. All photos are handmade prints on baryte paper, developed from the original negatives by Viennese photo artist Andrej Kasik.
Read more
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The Crisis of Liberal Democracy Today. Is Meritocracy to Blame? |
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Seminars and Colloquia |
Ruzha SmilovaIvan Krastev |
Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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North Macedonia As A Test-Case For Europe’s Credibility |
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Panels and Discussions |
Ivan VejvodaRuzha SmilovaZoran NechevNikola Dimitrov |
Europe's Futures Panel Discussion
Series: Panels and Discussions
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Europe's Futures Panel Discussion
Series: Panels and Discussions
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Shifting Sands: The Lure of “Alignments a la Carte” and the True Meaning of “America is Back” |
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Lecture |
Soli ÖzelIvan Krastev |
Series: Lecture
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Series: Lecture
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Governing through Contradictions. |
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Seminars and Colloquia |
Ayşe ÇağlarUlrike Flader |
Soft Authoritarianism and the Affective Management of the Opposition in Turkey
Series: Seminars and Colloquia
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Soft Authoritarianism and the Affective Management of the Opposition in Turkey
Series: Seminars and Colloquia
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Slavic Bazaar: Performances and Instrumentalizations of the Slavic discourse 1791 - 2017 |
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Seminars and Colloquia |
Katherine YoungerLudger HagedornTomáš Glanc |
Series: Seminars and Colloquia
The ideology of Slavic unity and reciprocity has been a crucial pattern of European thought and culture since the beginning of the 19th century, and it is still relevant today.
In his presentation, Tomáš Glanc will discuss the development, the teleology, and the typologies of this heterogeneous discourse. The talk will outline performative practices of “Slaventum” rich in contradictions, geopolitical phantasms and geopoetic fictions. Glanc will use examples from different disciplines such as literature, art, linguistics, but also referring to political essays, institutional history, and the history of gymnastics.
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Series: Seminars and Colloquia
The ideology of Slavic unity and reciprocity has been a crucial pattern of European thought and culture since the beginning of the 19th century, and it is still relevant today.
In his presentation, Tomáš Glanc will discuss the development, the teleology, and the typologies of this heterogeneous discourse. The talk will outline performative practices of “Slaventum” rich in contradictions, geopolitical phantasms and geopoetic fictions. Glanc will use examples from different disciplines such as literature, art, linguistics, but also referring to political essays, institutional history, and the history of gymnastics.
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The Post-Coloniality of Asylum Infrastructure |
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Seminars and Colloquia |
Ayşe ÇağlarPaolo Novak |
Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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Limits and Divisions of Human Histories |
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Lecture |
Andrzej NowakKatherine YoungerLudger Hagedorn |
A Contemporary Eastern European Perspective on Reinhart Koselleck's Historical Anthropology
Series: Lecture
The theory of history, as presented by Reinhart Koselleck (1923-2006), offers an intellectually tempting structure of three anthropological distinctions that prescribe figures of all possible histories (individual and collective): sooner or later, inside and outside, above and below. The first one signifies the span between being born and having to die, which makes every life unique and at the same time part of a particular generational experience. It could also be rendered as “old” and “new”. Uses of the second pair might be analysed as a contrast between public and private, or as a contemporary fear stemming from the contrast between “home” and “intruders”. The third pair Andrzej Nowak will try to “translate” not just in “master” and “slave” categories, but rather as “pupil” and “teacher”, or even “therapist” and “patient”. Nowak will try to read Koselleck’s structure in a perspective offered by spatial/temporal concepts of contemporary “Europe in progress” (or “Europe in crisis”), as well as in another, non-political perspective of esthetic renditions of the three above mentioned Koselleck’s abstract pairs ¬ in Andrzej Wajda’s “Birchwood” movie, the last scene of Richard Strauss’s “Rosenkavalier”, and in Philip Larkin’s poem: “An Arundel Tomb”. The question is whether love can be included into these conflicting pairs as a possible factor transcending their structures?
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A Contemporary Eastern European Perspective on Reinhart Koselleck's Historical Anthropology
Series: Lecture
The theory of history, as presented by Reinhart Koselleck (1923-2006), offers an intellectually tempting structure of three anthropological distinctions that prescribe figures of all possible histories (individual and collective): sooner or later, inside and outside, above and below. The first one signifies the span between being born and having to die, which makes every life unique and at the same time part of a particular generational experience. It could also be rendered as “old” and “new”. Uses of the second pair might be analysed as a contrast between public and private, or as a contemporary fear stemming from the contrast between “home” and “intruders”. The third pair Andrzej Nowak will try to “translate” not just in “master” and “slave” categories, but rather as “pupil” and “teacher”, or even “therapist” and “patient”. Nowak will try to read Koselleck’s structure in a perspective offered by spatial/temporal concepts of contemporary “Europe in progress” (or “Europe in crisis”), as well as in another, non-political perspective of esthetic renditions of the three above mentioned Koselleck’s abstract pairs ¬ in Andrzej Wajda’s “Birchwood” movie, the last scene of Richard Strauss’s “Rosenkavalier”, and in Philip Larkin’s poem: “An Arundel Tomb”. The question is whether love can be included into these conflicting pairs as a possible factor transcending their structures?
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The One That Got Away / Everyday Life During Armed Conflicts |
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Seminars and Colloquia |
Dimiter KenarovKeith KrauseLudger HagedornPaweł PieniążekSoli Özel |
Series: Seminars and Colloquia
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Series: Seminars and Colloquia
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